Back again to fill your ears with liquid explosion.
First off, check out Ryan “My Thai” Nerone’s blog TheGoldbrick – he was born to do this… and his musical selections are tough to beat.
Now to the meat.
Because we are the shapers of hip, I got my advance copy of Kanye West’s highly anticipated “Graduation” album and it is, as I expected, hot ish… looks like Fitty’s gonna be strictly pushin Vitamin Water from now on. Grab a copy of this album at first chance and check out the new Esperanza anthem “Drunk and Hot Girls.”
This is the video for “Can’t Tell Me Nothin” and as far as I’m concerned, the sexiest rap video I’ve ever seen.
Now on to something a little less obvious.
Elvis Perkins. Below is my favorite songs off one of my favorite albums right now, “Ash Wednesday.” While a very good version, the neat little Neutral Milk Hotel allegory during the crescendo of the song doesn’t come across as clearly as it does on his album. This clip from the Letterman show is also unintentionally hilarious, so check it out. HAHAHAHA we COULD be in the blimp!
How ABOUT that thing? Yes, exactly.
And finally for tonight….
If you don’t know anything about Numero Group, this pretty much sums it up:
“Recent statements you may have heard:
Anything but another record label. Please, we don’t need another one of those clogging up the bins. Accountants with coke habits, lawyers using Pitchfork as a tip sheet, 60 year-old executives awkwardly trying to converse with 17 year-old groupies. Marketing meetings. Junior VP’s.
Enter the Numero Group. Founded by Tom Lunt, Rob Sevier, and Ken Shipley in 2003, the three self-proclaimed “record obsessives” decided to approach the record business backwards. No corporate hierarchy; no company stationary. Just a big pile of music that no one had ever heard of.
The mission was simple: to dig deep into the recesses of our record collections with the goal of finding the dustiest gems begging to be released from their exile on geek street. No longer would $500 singles sit in a temperature-controlled room dying for a chance to be played. No more would the artists, writers, and entrepreneurs who made these records happen go unknown and unappreciated.
Numero releases are sound with substance, living at the nexus of song and story. Scrupulously researched, painstakingly re-mastered, and with an attention to detail that is unmatched in the reissue field, the end result is a top-of-the-line compact disc.
There is no “Numero” sound; instead, Numero offers an aesthetic. A shelf of Numero discs feels less like a “record collection” and more like a library. The library to date is a mix of thrift shop soul, skinny tie pop, Belizean funk, and hillbilly gospel. Numero makes records for people who may have everything from indigenous Central American drumming to Canadian chanteuses stacked next to their CD players.
This is it. Welcome home“
EVERYTHING they put out is essential and I’m currently digging their Eccentric Soul series release “Twinight’s Lunar Rotation” which they describe as “the Tutankhamen of R&B.” Translation: most of this stuff is so rare it was only rumored to exist and for the mere price of $25 for a beautifully packaged double cd, you get it all!
I’ll have more for you kiddies next week.
Grabbin a frosty brew-pup with Danny Barbs and EK at Blind Willies in VaHi. Come Join Us.
















